
Press Reviews
- JANN WENNER, co-founder of Rolling Stone
The friendship between Bob Dylan and the Beatles and how they influenced, competed with, and revered each other is meticulously, lovingly told in this delightful history of a magical world in an historic era
- TOBY THOMPSON, author of Positively Main Street: Bob Dylan's Minnesota
Dylan's and the Beatles' relations were more than comradely or competitive. They became a call and response - a tit for tat - that was an exploration of the consciousness of their generation. Jim WIndolf explored this dynamic brilliantly in Where the Music Had to Go. It's a book for serious fans and students of the '60s and '70s that's not to be missed
- LEE CHILD, bestselling author of the Jack Reacher novels
One-part delightful nostalgia, two parts smart analysis and perceptive connections, this book expertly re-explains those magical long-ago years we loved so much
- JAMES KAPLAN, bestselling author of Frank: The Voice
Jim Windolf is an American original, and Where the Music Had to Go is a great gift - a brilliantly fresh take on Dylan and the Beatles that illuminates connections and crosscurrents between the five immortals that we've never thought of before. Reading this book reignites the giddy thrill that these pop-culture visionaries gave us and each other
- SUSAN MORRISON, New York Times bestselling author of Lorne: The Man Who Invented SNL
I've always known how important the Beatles and Dylan were to me, but I had no idea how important - even crucial - they were to each other. With backstage tales and critical insights, Jim Windolf connects the dots to paint an astonishing dual portrait
- A. J. JACOBS, New York Times bestselling author of The Know-It-All
Where the Music Had to Go isn't just a single book. It's at least five: a biography of these great artists, a history of modern music, a meditation on creative influence, a deep dive into the role of politics in art, and an analysis of media and fame. The good news: each is wonderful on its own, and together they're absolutely stellar-an absolute joy to read. A particular draw: the interview with Paul McCartney, which made me laugh out loud several times. By the end, it's clear: the Beatles wouldn't be the Beatles without Dylan, and vice versa. I'm thankful for all five artists-and for Windolf's ability to weave them into this terrific book
- KENNETH WOMACK, author of Living the Beatles Legend: The Untold Story of Mal Evans
A revelation. The complementary, at times rivalrous, and always influential relationship among Bob Dylan and the Beatles fuelled a musical revolution that transformed popular music into art. With nuance and eagle-eyed research, Jim Windolf offers an unprecedented look at the mechanics of a musical fusion that we're only just beginning to understand. With wisdom and insight, he brings Dylan and the Beatles' story vividly to life
- JOHN LEVENTHAL, six-time Grammy Award-winning musician, producer, and songwriter
I didn't think it was possible to add anything to either the Beatles or Dylan canon, but Jim Windolf has crafted a compelling and knowledgeable narrative chronicling the magnetic push and pull between these two giants of modern music and culture. It's never less than absorbing, even for diehard obsessives like myself
- ROSANNE CASH, four-time Grammy Award-winning singer and songwriter
Exquisitely researched, thrilling, and moving . . . I thought I'd been down every Beatles and Bob Dylan rabbit hole, traveling far into their separate histories - and I consider myself well-versed in their individual influences - but this book was revelatory. Windolf is extraordinarily attentive to the details of the Beatles' and Dylan's parallel evolutionary tracks, and he is an impressive harvester of their interactions . . . I felt as if I were listening for the first time to a riveting story, carefully told in cinematic detail, about the most interesting people on the planet
- SHEILA WELLER, New York Times bestselling author of Girls Like Us
This delicious book twins the lives of Dylan and the Beatles to tell the whole history of the 1960s and 1970s. What struck me most was the vulnerability - even, I daresay, the sweetness - in some of these macho guys' interactions. For example, deep into their careers, Dylan admits he's 'in awe of' McCartney, and McCartney addresses Dylan affectionately as 'lovely boy.' We also discover zigzagging connections - including how close Joan Baez was to John and Paul, and how Dylan played host to Marianne Faithful - as well as landmark synchronicities. Readers will find here a host of fascinating cameos and name drops