The Absence
Memoirs of a Banshee Drummer
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'Intimate. Wounded. Sensational. I didn't just read The Absence. I devoured it' - RUPERT THOMSON
As a member of Big in Japan, The Slits and, most famously, Siouxsie and The Banshees and The Creatures, 'Budgie' was an era-defining drummer in the much-mythologised post punk scene of the late 1970s and early 1980s. But before he was Budgie, Peter Clarke was a boy growing up in working class St Helens in the 1960s. The loss of his mum at a young age created the absence that haunts the pages of this book.
As a teenager disenchanted with art school in Liverpool, Peter became Budgie and befriended the likes of Jayne Casey, Pete Burns and other luminaries of the legendary Eric's Club before taking off for London and the big city heat of punk. Budgie's unique technique and musical sensitivity endeared him to the all-female group The Slits, who asked him to play on their debut album Cut. Subsequent touring with former members of the Sex Pistols and others from the post punk aristocracy firmly established Budgie's reputation for innovation.
But the beating heart of this at times painfully honest account of a life often sabotaged is, of course, his long-term position as Siouxsie and The Banshees' drummer and co-writer alongside his ex-wife Siouxsie Sioux. Their creative partnership produced some of the most seductive and celebrated pop music of the decade. Eventually, their personal relationship started to fall apart, with inevitable consequences for both bands. The Absence is bravely unflinching in its dissection of how and why this happened, and powerfully moving in its account of the angels that emerged to heal both these wounds and those of a mother's lost love.
A man and musician whose creativity and singular style came to define the goth-pop 1980s, Budgie's life is both fabulously glamorous and a cautionary tale. For the first time the story of the era's most exalted and mysterious bands has been told by one who survived inside the belly of the beast.
As a member of Big in Japan, The Slits and, most famously, Siouxsie and The Banshees and The Creatures, 'Budgie' was an era-defining drummer in the much-mythologised post punk scene of the late 1970s and early 1980s. But before he was Budgie, Peter Clarke was a boy growing up in working class St Helens in the 1960s. The loss of his mum at a young age created the absence that haunts the pages of this book.
As a teenager disenchanted with art school in Liverpool, Peter became Budgie and befriended the likes of Jayne Casey, Pete Burns and other luminaries of the legendary Eric's Club before taking off for London and the big city heat of punk. Budgie's unique technique and musical sensitivity endeared him to the all-female group The Slits, who asked him to play on their debut album Cut. Subsequent touring with former members of the Sex Pistols and others from the post punk aristocracy firmly established Budgie's reputation for innovation.
But the beating heart of this at times painfully honest account of a life often sabotaged is, of course, his long-term position as Siouxsie and The Banshees' drummer and co-writer alongside his ex-wife Siouxsie Sioux. Their creative partnership produced some of the most seductive and celebrated pop music of the decade. Eventually, their personal relationship started to fall apart, with inevitable consequences for both bands. The Absence is bravely unflinching in its dissection of how and why this happened, and powerfully moving in its account of the angels that emerged to heal both these wounds and those of a mother's lost love.
A man and musician whose creativity and singular style came to define the goth-pop 1980s, Budgie's life is both fabulously glamorous and a cautionary tale. For the first time the story of the era's most exalted and mysterious bands has been told by one who survived inside the belly of the beast.
- Published: Jul 17 2025
- Pages: 320
- ISBN: 9781399621564
Press Reviews
LYDIA LUNCH
The Absence lays bare the burden of overcoming guilt, shame, loneliness and the search for validation through art and music - the salves to the universal wounds. Beautifully written, brutally honest, a travelogue of self discovery by one of the most unique artists still reaching new levels of musical experimentation
RUPERT THOMSON
Given how devoted Budgie was to obliterating himself, and given that the people surrounding him were either unwilling or unable to communicate, it seems miraculous that his memoir exists at all, still more miraculous that the writing is so present, so lucid, and so tender. We feel exactly what it was like to be caught up in the stomach-lurching post punk whirlwind of the late 70s/early 80s. His mother's devastating early death became a kind of engine for his life, propelling him forwards into creativity and exhibitionism even as it held him back emotionally. Lyrical, affectionate and often painfully raw, The Absence is the literary equivalent of what Budgie does behind the drums - the one place, as he says, where he 'can't fake it'. Nothing is faked in this vivid hymn to vulnerability, damage and excess, and the haunting, unforgettable music that came flowing out of it
LITTLE ANNIE
Having had the blessing of sharing a stage with Budgie, I was immediately struck by both his power and precision and simultaneously his nuanced, sensitive artistry of what he didn't do in the spaces in between beats: in the absence. Budgie's writing is similar to his musical magic. He writes with a gentle fearlessness, honesty and deep awareness. This book is an exploration of the mystery of the absence, for that's where the magic happens