Shoegaze, Slackers and the Reinvention of Rock, 1984–1994
Author
Simon Reynolds
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The definitive story of the slackers and shoegazers who reinvented rock.
Twenty years after his acclaimed postpunk best-seller, Rip It Up and Start Again, Simon Reynolds tells the tale of what happened next: the underground explosion of noisepop, shoegaze, slacker rock and grunge that reverberated through the late Eighties into the early Nineties.
Capturing the musical exhilaration of the era along with the alienation of youth during a period of ascendant conservative politics and glitzy mainstream pop, Still in a Dream celebrates a golden age of guitar reinvention, a second psychedelia of mind-blowing sounds pioneered by bands like My Bloody Valentine and Sonic Youth. In Britain, groups like Cocteau Twins and Slowdive escaped into shimmering dreamworlds while American underground rockers like Dinosaur Jr. and Pavement blended apathy and urgency into thrilling noise.
A propulsive and personal account from a journalist who covered this music in real time from the frontlines, Still in a Dream vividly recreates a period that was the last blast for the analogue culture of vinyl records and music papers, before the Internet changed everything.
Still in a Dream is as important a work of art as any of the records that inspired it. Simon Reynold's erudition and judgement is at the service of the music he so passionately loves, his words meeting the songs on an equal footing thanks to an innate lack of ego which allows his insights to float amidst the notes in an ether of sonic luminosity
Owen Hatherley, author of Militant Modernism and The Alienation Effect
Still in a Dream is more than just a celebration of some enduringly wonderful music - it's a great book full stop, Reynolds' best yet. Bringing together the sugar hiccup enthusiasms of his music press youth with the harsh wisdom of his extremely online old age, it covers everything from the sensual sublimity of the Cocteau Twins to Big Black and the genesis of edgelordism, from the little undergrounds of C86 and shoegaze to the pyrrhic overground victories of Grunge and Britpop. It's warm, funny, sometimes startlingly honest, and a very timely reminder that 'withdrawal in disgust is not the same thing as apathy'
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